According to Los Angeles–based
makeup artist Brande Bytheway, all makeup applications involve contouring on some level.
But to many, the thought of doing it at home seems inaccessible and a little
too tricky. But it's easier than you think! “Basically, all makeup is
contouring,” says Brande. “When you contour, all you’re doing is accentuating
your natural features.” To get the technique down, we had Brande walk us
through the how-to's and tools to create a basic look.
This approach will look different on
every person, depending on the shape of the features. Brande’s one piece of
advice: practice, practice, practice. Try it, play around, and discover what
works on your face. “It’s not as complicated as it seems,” Brande swears. “Some
people do it every day!”
There are two main techniques used
for basic contouring: lowlighting and highlighting. Lowlighting refers to using
a darker color wherever there’s an area of the face or feature you want to
recede or de-emphasize. Brande recommends a hue about three shades darker than
your own skin—and making sure your product is matte, never frosted or shimmery.
The opposite of lowlighting is highlighting—this you do on areas you want to
emphasize or bring forward. For highlight, you can use either matte or
frosted/shimmery color, which ever you prefer.
HERE’S HOW TO DO A BASIC HIGHLIGHT FOR THE CHEEKS, NOSE,
EYES, AND JAW.
Cheekbones: According
to Brande, the first thing most people want to contour are the cheekbones. To
start, try receding the hollow of the cheek. You can find the hollow of cheek
right underneath the cheekbone—there, apply your darker lowlight shadow using
an angled medium or large brush. We used taupe-y brown here. Every area you lowlight, you want to
balance with a highlight. After receding the hollow of the cheek, counter that
by making cheekbones stand out. To do that, brush on a frosted gloss or light
shadow along the cheekbones, and blend out toward the temple.
Nose:
This is a basic strategy to slim
down the nose just a bit (which remember, may not work on every face). For the
nose, use the same lowlight shade you used for cheeks. Start at inner corner of
brow and apply down either side of the nose. Next, apply your highlight
down the bridge of the nose. For the nose, always use matte product, even for
highlighting. “Generally speaking, people don’t want the nose or T-zone to look
shiny, so in those areas, I’d stay away from frost or shimmer,” Brande
explains. Finally, blend the two together using a brush.
Eye:
To make the eyes pop in two simple
steps, start with your lowlight. Apply into the crease of the lid and blend
well. Then, counter that with a highlight, brushed right along the browbone.
Jaw: To lowlight, apply
your darker shadow below the jaw along the jawline, right where the jaw meets
the neck. Then blend down into the neck using a clean brush, so you don’t have
a line. Then, highlight right on top of
the jawline, and blend together. Becareful not to go all the way around to the
chin here. You want to highlight on the sides, along the mandible. “If you go
all the way forward to the chin, it can make the chin look bigger, like it’s
jutting forward.

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