From digital artists to photographers, AI is transforming what we call “original.” This piece examines how artificial intelligence is changing art, copyright, and creativity in 2025, and what it signifies for the future of originality.
In a world where can
remix, reimagine, and regenerate almost anything, the question of originality
has become more pressing than ever.
Gone are the days when the idea of an “original image” meant something
created from scratch, a product of pure imagination and human touch. Today, tools like Midjourney, DALL·E, and Runway are blurring the boundaries between imitation and innovation.From
digital paintings to AI-enhanced photography, we are now witnessing the death
of the original image as we once knew it. The rise of AI-generated art has
changed how we create, consume, and even define creativity.
But
is originality really dead, or simply evolving?
AI
and the Art of Remixing Creativity
Artificial intelligence has
become the ultimate remix artist. Platforms like Adobe Firefly, Stable
Diffusion, and OpenAI’s DALL·E don’t just create; they learn from millions of
existing artworks and photographs. They remix colours, styles, textures, and themes
to produce something “new,” yet built on the foundation of what already exists.
For
artists, this raises a critical question: if an AI system draws inspiration
from someone else’s work, can its output truly be called original?
The article “Is art generated by
artificial intelligence real art?” from the examines
how AI-image generators, such as DALL·E 2 and Midjourney, are challenging
traditional notions of originality and emotional depth in art.
The piece profiles creators—a writer,
animator, architect, musician, and mixed-media artist —who reflect on how AI
can mimic style and technique but often lacks the unique personal experience,
emotional resonance, and human insight that define much of artistic expression.
It
also highlights a central concern for photography and visual arts: that even
though AI-generated works may look technically impressive, they often fail to
convey the spontaneity of human creation or the lived experience behind the
image.
For and
photographers, this raises a pressing question: when AI can replicate aesthetic
and style, what remains of human originality and cultural authenticity in art?
Many
creators now describe AI art as derivative creativity, innovation built on
existing material. Nigerian digital artists, too, are navigating this new
terrain. Some see AI as a partner in visual storytelling, while others view it
as a threat to authentic artistic expression.
Photography
in the Age of AI
Photography, once a documentation of
truth, has entered a new phase. With advanced editing tools and AI-enhancement
features on smartphones and software like Photoshop’s “Generative Fill,” even
photographs are now open to manipulation.
In 2025, the distinction between a
captured moment and a created moment has almost disappeared. An image might
appear to be a photograph, but it could have been entirely generated by
artificial intelligence.
Consider the rise of AI-generated
portrait images, image manipulation tools, and image generation tools like
Gemini on social media. People now upload selfies only to receive stylised,
cinematic portraits that were never actually taken. This trend has made it
difficult to tell where reality ends and digital imagination begins.
For photojournalists and documentary
photographers, this is a serious concern. Authenticity has always been at the
heart of their work. But when AI can fabricate realistic scenes, how do
audiences know what’s genuine anymore?
The
Copyright and Ownership Dilemma
As AI-generated images flood online
platforms, questions around copyright have become increasingly complex. Who
owns an AI-generated image: the user who typed the prompt, the company that
built the AI, or the artists whose works trained the system?
Legal frameworks are still
catching up. In 2024, several high-profile cases emerged in the United States
and Europe where artists sued AI companies for allegedly scraping their work
without consent. For instance, Getty Images against Stability
AI for
allegedly using over 12 million copyrighted images to train its model without
permission and lost.
Similarly, a group of visual against Midjourney, DeviantArt,
and Stability AI in
the U.S., accusing them of “mass infringement” through data scraping.
Additionally, in 2023, Boris Eldagsen rejected
the First-place prize he was awarded because his images were generated using
AI. The World Photographer Organisation said it expected images to include
elements of AI, but he misled them about the extent to which it would be used,
and that the awards are for championing photographers.
Other
artists also argued that the images by Boris undermine the skills of
photographers, painters, and others.
This debate is now global, extending
to Africa, where digital artists and photographers are calling for stronger
protection of intellectual property. In Nigeria, creators have raised similar
concerns on platforms like X and within art collectives such as Art X Lagos,
stressing the need for clear AI copyright policies.
Nigeria’s growing creative industry,
comprising illustrators and photographers, has also begun grappling with these
concerns. Many argue that if AI tools rely heavily on existing data, some of it
copyrighted, the term “original” becomes increasingly questionable.
AI as
a Creative Partner, Not a Replacement
Still, not everyone views this
evolution in a negative light. Many artists and photographers in Nigeria and
beyond have embraced AI as a creative collaborator. Instead of fearing the loss
of originality, they see AI as a tool that expands human imagination.
For instance, photographers now use AI
to enhance lighting, restore damaged images, or experiment with surreal
compositions that were once impossible. Artists use AI to quickly prototype
ideas, freeing up more time for concept development and storytelling.
In this sense,
originality is not lost; it’s being redefined. Human creativity still provides
the foundation; AI simply adds new layers of possibility.
Credit: Pulseng

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